Be heard.
After all your hard work, you deserve to sound great.
Ally Sound makes sure your music is ready for the masses.
Hey, I’m Anna Frick.
I’m the Lead Mastering Engineer and Founder of Ally Sound.
Previously Senior Mastering Engineer and Restoration Center Manager at Airshow, I’ve worked on hundreds of records, including albums from Billy Strings, GRAMMY-nominees Wood & Wire, Justin Moses, Roland Guerin, Bill Frisell, Tim O’Brien & Dale Bruning, Ben Sollee, Cyril Neville, and Third Man Records’ GRAMMY-winning The Rise and Fall of Paramount Records boxed set.
I’m deeply involved in music industry leadership, advocacy, and mentorship through my work with The Recording Academy, the Audio Engineering Society (AES), SoundGirls.org, and the International Bluegrass Music Association (IBMA).
Credits
Your music, elevated.
Once you know how the right gear, mastering room, and trained ears can enhance your sound, there’s no going back.
When you work with Ally Sound, you’ll get all of that plus the unbiased perspective of one of the most respected mastering engineers in the industry.
Better Together.
The music industry can be tough to break into—especially for those marginalized or underrepresented.
That’s why I started Ally Sound—to make mastering more accessible to everyone from clients to colleagues.
When you work with me, there are no dumb questions, and all are welcome.
Together, we create a safe space for all the highs, mids, and lows.